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Jackie Robinson on Sesame Street

By Susan Tofte


Susan Tofte is Sesame Workshop’s Archivist.

“A life is not important except in the impact it has on other lives.” – Jackie Robinson

Of the hundreds of celebrities who have appeared on Sesame Street, Jackie Robinson is one of the most notable. Workshop co-founder Joan Ganz Cooney met with Robinson in 1969 when she was working to build awareness and outreach prior to the show’s November premiere. Reaching out to Robinson and his connections made sense. Read More

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February 25, 2013

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The History of Academy Award Winners on Sesame Street

By Joe Hennes


Over 43 seasons, Sesame Street has featured hundreds and hundreds of famous actors.  Due to the law of averages, a certain percent of those actors will have gone on to receive a coveted Academy Award statuette.  And it seems that those averages are correct, because a lot of Sesame’s famous friends have an Oscar on their mantle.

Just last night, at the 85th annual Academy Awards, Anne Hathaway won an Oscar for Best Supporting Actress for her performance of Fantine in Les Miserables. Hathaway stopped by Sesame Street a few years ago to sing “I Want a Snuffy for Christmas” with her pal Big Bird. Now you can add her to the long list of Oscar winners who count Big Bird and the rest of the Sesame Streetgang among their friends. Read More

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February 13, 2013

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‘The Story of J’: Sesame Street’s First Animation

By Susan Tofte


Susan Tofte is Sesame Workshop’s Archivist.

It is hard to imagine Sesame Street without the delightful animations that teach things like letters, numbers, emotions and problem solving. Animations have been a part of the show since the pilot episodes. But back in 1969, the idea of using a series of short animations to act like “commercials” for letters and numbers was a true innovation.

When Joan Ganz Cooney created her proposal for an educational television show, she envisioned borrowing the techniques used in making TV commercials to help teach counting and literacy. Joan and the producers knew that kids were attracted to commercials on TV. What they didn’t know was whether they could successfully create short commercial-like segments for the show that would actually teach to the curriculum. Read More

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June 27, 2012

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‘A Woman in the Boardroom’: A 1978 Interview with Joan Ganz Cooney

By Joan Ganz Cooney



Ed. Note: This interview with Sesame Workshop co-founder Joan Ganz Cooney originally appeared in the 1978 January-February edition of the Harvard Business Review. It has been re-published with the permission of the Harvard Business Review and edited for length. Special thanks goes to Ms. Cooney for taking the time to reflect upon her interview and write an updated introduction, which you can find below.

I find it hard to believe, upon re-reading this interview from Harvard Business Review, that it was published only 34 years ago… As the kids would say, “It’s so last century!” I was among the first women to be asked to join a Fortune 300 corporate board. Today, it is not unusual for major corporations to have two or three women as board members. I was embarrassed to read how afraid I was to offend the sensibilities of the businessmen of that era. I’m happy to say that today men and women interact as equals; Women CEO’s, while still rare in the Fortune 500, exist in much greater numbers than they did in the 70′s and women are almost always in high executive positions. Xerox’s two most recent CEO’s have been women; the current one is African American. So yes, things have changed for the better. We still have a long way to go but there is no question that astonishing progress has been made by women in business.

Harvard Business Review: We’d like to look at several conventional views concerning the question of women at top management and board levels.  The first concerns qualifications. Many people believe that women can’t make the same tough decisions that men can, that they aren’t qualified in the same way that men are. What is your response to that view?

Cooney: Well, I don’t think there’s anything to it in one way, but in other ways there’s a great deal to it. Little girls and young women are trained on both conscious and unconscious bases, by the family and by society, to “get along”—to be diligent and dutiful, to take instructions from older people, first from their parents and then from men. Some men are comfortable in that role, merely following instructions, but virtually all women are comfortable in it.

To make decisions women have to debrief themselves, which causes an enormous amount of anxiety and stress, to understand that they can take action—can, for instance, perform the necessary surgery if it must be performed. Such surgery includes eliminating a department, eliminating, here at Children’s Television Workshop, a show, eliminating personnel; sometimes for budgetary reasons, sometimes for competency reasons.

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